of dislocation & graceful unravelling

queennubian:

wahaladey:

photobooth.

YES DAMMIT!

(via golddays)

Dave Parker, Pittsburgh Pirates, 1976.

(Source: rbw, via blake500)

Phillip Jones Griffiths: Boy Destroying Piano, 1961 (via Iconic Photos)

Roberto Clemente

Bill Mazeroski’s winning home run, 1960 World Series.

Ansel Adams: Moonrise, Hernandez

“[It is] probably Ansel’s most famous picture. And I was very fortunate to be there when it was taken. I was seven years old. We were coming back to Santa Fe from north, and Ansel saw this image. He pulled the car off the road very rapidly, got out — got us — there were two of us also with him, and we were trying to get the tripod, and he got the camera on it, and he had made the — looked at the picture and then he wanted his exposure meter, but he couldn’t find it. So, he knew that the luminance of the moon was 250 foot-candles, and from that, he derived the exposure. He took that picture, put the slide back in the film holder, turned the film holder around. Before he could pull the slide to take a second one, all the light in the foreground was gone! … If you look at the plain image, just the straight image of this, and then you look at this final print, there’s a huge difference, and this was part of Ansel’s magic is what he could do in the darkroom.”

— Michael Adams (Ansel’s son) (via Iconic Photos)

Lisa Elmaleh: “Two Trees in Sawgrass,” 2010 (from the Everglades series)

blue-voids:

Ted Kincaid - Lunar photographs, 2010-11

(via rustbeltjessie)

opticae-thesaurus:

George Krause - (1965)

(via confuoco)

“Brooklyn Dodgers’ Jackie Robinson eludes Jones’ tag in the third to score from first on Gil Hodges’ single.” (via NY Daily News)